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Bee Painting Protocol

Our initial protocol for painting bees called for painting bees as they were collecting pollen on the flower heads using a small paintbrush. Before starting painting, we had created “paint bandoliers” that consisted of microfuge tubes filled with different colors of paint and then taped in a line with duct tape to keep them together. We ordered the colors according to the rainbow to make it easier to keep track of the colors. Each color was given a three letter abbreviation. Painting the bees with paint brushes was fairly easy, but the shape and thickness of the dot had the possibility of being very variable. After researching bee painting, in particular queen honeybee marking, it appeared that the ideal dot that would last the longest amount of time is circular and uniformly thin. To obtain this ideal dot, it was suggested that a piece of wire whose diameter was the size of the desired dot be used.

We made new painting implements based on this information. We cut the wire on flags into about 15 cm sections, sanded one end flat, and then made handles for them from sticks and tape. We bent the sanded end about 45 degrees roughly 2.5 cm from the end so that we would be able to more easily paint the bees. At this point we were only marking Agapostemon virescens. It proved to be harder to paint them with the new tools as they were collecting pollen from the flowers. We had problems both getting a good dot on their thorax and also avoiding painting any other part of the bees, which would then decrease their survivability. We eventually planned on painting Melissodes. If we started painting them as well as A. virescens, we anticipated more problems with painting them on the flower heads because it appeared that they spent less time on the flower heads and moved faster and more jerkily while on the heads than A. virescens.
After a few poor painting jobs, we decided to chill the bees. The new protocol which proved effective was to catch 2-3 bees as we walked the random rows and then place them in labeled vials. These vials were placed in small lunchbox coolers that had ice packs in them. At first we used both glass and plastic vials, but we found that the glass vials worked better because the glass got cold while the plastic did not. We initially had 1 ice pack in each cooler and this worked fine for a little while, but once the ice pack was no longer very cold, we had problems with bees simply flying away before they could be painted or moving around too much for an easy paint job. To remedy this problem we started using two ice packs per cooler, which helped.
I found that the best way to continue to keep the bees cold was to paint the bees while they were still sitting on the ice pack. I left the ice pack in the cooler and placed a plastic bag on top of it. I did this so that the bee would not get wet from the condensation on the ice. This method worked rather well and the bees were usually very sedated and easy to paint. Working with the bees in the cooler also shielded them from the sun, keeping them cooler. One difficulty was making sure that the bees did not simply roll over on their backs in their stupor and smear the paint spot. Painting the bee on ice worked very well, but it also caused the ice packs to not last quite as long. It would be a good idea to have several other ice packs on hand in a larger cooler for when the first ones lost their coldness.
After painting a bee, we gently removed it from the cooler while it was on the plastic bag and allowed it to warm up in the sun, at which point it flew away. We released all of the bees within a few meters of where they were captured.

Pictures of equipment and painting will be posted once Andes has internet

Updates from the Bee Team

The frequency of bee sightings has slowed down in the past couple of days, but in the mean time we have been typing up our updated protocols, and begun looking at the data that we’ve collected. Read on for detailed protocols, the musings of this year’s Bee Team, and tips for next year’s Bee Team.

Bee Tracking

After we had painted a sufficiently large number of bees, we transitioned to tracking their flight paths between Echinacea heads. Our goal with this project was to obtain data that would allow us to determine average flight path distance of the pollinators between heads and therefore get a better idea of gene flow within the garden, and also to see if we could estimate the home range size for individual bees.
Our protocol for tracking bees didn’t undergo too many changes from the initial version. The biggest challenge that we ran into was keeping up with the bees both visually and in terms of taking data. We updated the visor form several times to increase the efficiency of the data taker. The current form seems to work well, although we’ve considered the idea of taking data on paper. It would also streamline data processing if the visor/paper form could assign and group each flight series by an ID number.
We found that it was most effective to work in groups of at least three, and up to five. One person would be data taking on the visor, and the others would be visually following the bee. It was best for the trackers to stay back a couple of meters from the bee so as not to scare it, and for the trackers to be spread in a circle around the bee, so that it could be tracked in any direction. When the bee left the flower, the trackers would call to the data taker that the bee had left the head, so that they could prepare a new data point in the visor, and would then call out the new plant coordinates and twist-tie color. If the bee visited multiple heads on one plant, the second, third, etc. twist-tie colors were recorded in the notes instead of calling up a new form every time. If the bee was lost for more than ten seconds, we marked lost track, and then would resume with a new flight ID for the next bee, even if it was the same bee that we had previously been tracking.
Because we got all the details of this protocol worked out after the peak flowering, there weren’t many bees still in the garden when we were searching for them. As a result, we tended to concentrate our searching for bees in the ’96 garden where the flowering plant density was the highest. This made the most efficient use of our time, since we weren’t randomly walking rows with few or no flowering plants, but resulted in a data set that is concentrated in one place. Therefore, our data, especially when it comes to home range estimates, may be inaccurate, as we concentrated our time in the one area.

Miscellaneous Info

We the members of the Bee Team (formerly Team Binocular) have done our best to track, mark, and record the position of bees in the common garden for the last several weeks. Our first suggestion is that you start early. This year we got a late start compared to the Echinacea flowering. We also had to figure out all the protocol from scratch as well so in the future this project can get organized shortly before flowering starts to be ready when flowering starts. Pollen set and bee activity are closely related and are both tied to weather.

After trial and error, we found that the best time for finding bees in the common garden was right around 7:30. Agapostemon virescens tended to be out earlier in the morning while the Melissodes were out later. We hoped that by getting out early we would be able to find A. virescens to track, but because of the late start of our project, we were unable to find any. Cold weather and windy weather both diminished the number of bees visiting flower heads. Wind also made it difficult to track bees because when the bees took off from the flower head they were caught by the wind and blown away.

KAP Equipment

Here’s a rundown of our equipment and various settings that we’re using.

Kites:
Sutton Flowform 16
G-kites Dopero
Peter Lynn Pilot 50

Other kite bits:
Horizontal Brooxes AutoKAP Kit
A plastic winding halo
200 and 250 lb test string

Cameras and accessories:
Canon S70
Canon EOS 400D / Digital Rebel XTi
Canon 50mm f/1.8 prime lens, aka the Nifty Fifty
GentLED infrared LEDs for setting off the camera by remote
Tower Hobbies RC FM transmitter and receiver

Software:
the GIMP (Free image manipulation)
UFRAW (includes a GIMP plugin for reading RAW images)

General camera settings:
Manual focus, set to infinity
Tv mode (shutter priority) set to 1/800 or 1/1000
RAW mode (RAW+640×480 on the S70, RAW on the XTi)
ISO 100 (200 or 400 if it’s not sunny, though noise can sneak in at ISO higher than 400)
Bracketed down 1/3 stop
Zoomed out as much as possible (50mm on the XTi [doesn’t zoom anyway, as it’s a prime lens), ~28mm on the S70)
Remote-driven mode

Other bits:
Wooden ground markers (details soon, including images)
Paint

Team KAP update

It was Friday the 13th, the kind of day the superstitious worry about and the kind that I figure is just another day. The wind was pretty good, enough to pick up our Flowform 16 kite with our camera rig. We went out to North by Northwest of Landfill and set out our ground markers [images when our internet gets back up]. With a pretty good wind from the west, we got the kite up and the camera rig above the roadside population. We took two runs along the road, once south and once north (higher and lower). Overall, it was a good run.

Until…

Until we plugged the camera into the computer. No images. Hrm.

We were using a new setup that day. Stuart had bought a radio-control set that we hooked up to the camera. It seemed to work just fine at the farmhouse… but not at the site. At this point, Julie and I were painting the kite string (so we could tell how much line was let out). Testing the RC stuff again, it SHOULD have worked fine. We’re not sure why it didn’t.

Cut to the next day. We left the string out to dry when we left in the evening and between our departure and Stuart’s taking the line in a few hours later, some cheeky rodent decided that our artificial string would be a tasty snack and gnawed through it in a few places. Friday the 13th strikes again.

And now today. The 200-lb test line has been painted and is currently drying. I’ve worked out one of the problems with our camera rig (before, the camera would take a picture all the time: all that was needed was putting it on a different control stick. [images for clarity later]). I can now control both the Canon S70 and the new Canon Digital Rebel XTi (with The Nifty Fifty, a 50mm prime lens. It’s a touch long, but our benefit in megapixels and in general quality should be worth it) with the press of a control stick.

Common Garden Management Notes

Here are some notes including completed management and what’s left to do…

7/12/07 2:10 pm
The crew did a great job weeding Melilotus & Carduus yesterday and the day before. Very thorough job! They started cutting woody veg. Ash and Sumac are prevalent. Some others woody species include Salix, Rubus, Vitis, Ulmus. I looked where the single Toxicodendron plant used to be. No sign of it. I haven’t seen it for several years.

I systematically walked the garden looking at these groups of rows: 56-51, 50-47, 46-43, 42-39, 38-35, 34-31, 30-27, 26-23, 22-19, 18-15, 14-11, <11, >56. I was searching for Lotus and gopher mounds.

7/12/07 3:13 pm
I removed Lotus corniculatus from these locations…
row pos
52-53 905-906 veg removed
54.5 973 veg removed
48 908.5 pla removed
29.5-30 872.5-873 plas & veg rem
17 954.5 pla rem
18 955 veg rem

I noted gopher mounds at these locations. Not all of these are active. I think there are many more ground squirrels than pocket gophers.
row pos
55.5 981.5
45.5 924
43.5 925
43.5 926.5
43.5 930
43 930
44.5 931
46 983
42.5 930
42.5 928
42 948
40.5 923
39.5 921
39.5 916
36.5 921
36 927
37 928
36.5 929
34.5 932
36.5 985
37.5 985
36 983.5
33.5 983
33 932
26.5 912
16.5 885
56.5 915

Note: a huge Thamnophis radix emerged from a hole at 28 940.

In the future–make a plant species list for the common garden. Here are some notes:
Helianthus sp & Galium boreale at 12 889
Stachys palustris in r16 p885
Lathyrus venosus & Galium boreale at r55-56 p970-973
Oenothera biennis at r9 p880
Spirea alba r 57 p973

What is that cf. caprifoliaceae on e side?

TO DO LIST ————
Continue cutting woody veg.
Staple 98 garden.
Remove thistles on W edge.
Remove Phalaris patch r38-39 p~875.
Cut trees in ditch.
Girdle trees E of CG.
Make ladder stairs for S entrance.
Remove Cottonwoods from ditch.
Remove fenceposts.
Remove rebar posts & put in posts along edge.
Put signs along road (& E side?).
Intall webcam.
——————————

On 5 July 2007 Amy & Gretel found a harvested head in a bag from last year. They brought in the bag. Here’s their note:
Mp0418
hdandbag
many achenes loose
many seedlings
25-972 flagged
16 seedlings at least

I noted the coordinates for seedling cluster:
r25.29 p971.63
and there’s 1 seedling 13 cm NE’N of main cluster.

the internet is down at Andes! and it has been for a week. Hopefully it will be fixed soon. Hopefully today

Ideas for highway corridors

The Federal Highway Administration is seeking input about how to prioritize research on highway corridors and the environment (e.g vegetation, wildlife, wetlands, endangered species, brown fields, and water quality).

If you have any ideas, send them a comment.

They are interested in comments on big ideas, not proposals, before AUGUST 24, 2007.

I think we need to know more about how corridors of native plants along highways affects bees and other pollinators, including threatened insects. Also, does planting hardy native plants save money by reducing mowing and weeding costs? Do native plantings make driving a more pleasurable experience?

I’m also curious about the effect of planting native plants in highway corridors near native remnant prairies. On one hand, larger plant populations might improve the survival of plants and animal in the remnants by increasing the habitat area and expanding pollinator populations. On the other hand, planting non-local seed sources next to a prairie remnant might introduce genes into the local remnants that might reduce plant performance (growth, disease resistance, etc) and possibly hasten the demise of a plant population in the native remnant.

Internet down at Andes

We haven’t been blogging for quite a few days now because the internet has been down at Andes. Apparently the technician from Gardonville Cooperative Telephone Association couldn’t figure out what’s wrong, so he went home.

Here at research central, we’ve been luckier. No visits necessary from Runestone (but no time to blog either). When service is back up, we’ll have lots to write about, including:

1. Our trip to Pembina to monitor Gretel’s orchid management experiment. (We saw a prairie chicken and sandhill cranes, but no moose).

2. Failed attempts at kite aerial photography on Friday the 13th. (Plus details about what we learned in the process.)

3. Reports from the Bee team on their successful tracking endeavors.

4. A recap, or three, of BSA meeting.

5. Weeding & other adventures in the common garden.

weeding

I arrived in Chicago and am getting my presentation ready for the Botany meeting.

I heard that weeding went well today. Gretel said you all got a lot done. I know it’s hard work. Did the 30-40 mph winds help? I miss being there.

Aerial photos of the common garden…

… are boring.

I took about 118 photos this afternoon and the > 100 straight-down shots are not interesting. Straight-down shot will provide good data when we have the ground markers and get enough shots in the right places. But for visual appeal & interest, the photos are boring.

Flying the kite was fun. It was cloudy with 10 – 15 mph winds from the N – NNW. It was a challenge to get the FF16 kite up–a 15 minute ordeal. But when it got up, it stayed. It was tiring to take it down and then it easily went right back up again. I took shots of the CG and then went to Staffanson.

Here’s one of the few shots with the camera tilted. I like it.

CRW_3969.jpg

This is a view of part of the common garden from the West. The rows are 1 m apart and those things are tripods for the video cameras. The tripods weren’t in use today and have plastics bags over them. Flags are more visible than the Echinacea plants. But If you click on the thumbnail, you’ll be able to see some flowering plants in the larger image.